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Due to the increasing political instability in Berlin and his antagonistic relationship with the government, Grosz spent several months in Russia and the French Riviera in the mid to late 1920s, before accepting an invitation to teach at the Art Students League of New York in 1932.

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, an artists' book by George Grosz and John Heartfield• The synthesis of inspiration from both modern and traditional sources is typical of Grosz's work as well as that of the larger Neue Sachlichkeit movement.

" Unfazed, Grosz continued to publish propagandistic materials against the establishment, including Ecce Homo 1915-22 , another portfolio for which he was accused of pornography and fined.

He became a key figure of the Dada movement Starting in Zurich, before spreading to other European cities as war came to an end, Dada was rooted in disbelief that a conflict as absurdly long and devastating as World War I could have been fought in the name of progress.

Dadaists concluded that the world had gone mad and that received values must be turned on their head.

George Grosz did not turn around or away from the evil.

the houses are geometrical, bare, like just after a bombardment.

In 1960, Grosz was the subject of the Oscar-nominated short film.

In 1960, and as another excellent resource Grosz was the subject of the Oscar-nominated short film.